The storyteller does not make a story out of entire material: she re-makes the antiquated story inside the setting of the genuine, contemporary, known world. It is the figurative connection between these recollections of the past and the known pictures of the universe of the present that establishes the pith of narrating. The story is never history; it is worked off the shards of history. Pictures are expelled from authentic settings, at that point reconstituted inside the requesting and legitimate edge of the story. Furthermore, it is dependably a tangible ordeal, an affair of the feelings. Storytellers realize that the path to the brain is by a method for the heart.