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sad story of the woman

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Works painted in the second Mandarin style (underneath), which was grown generally during the rule of Ieyasu II (1730-1755), have more obscure shades of shading; the form lines become lighter and a more fragile utilization of concealing gives volume to the bodies and faces of the figures. Various new subjects, numerous which were motivated from books imprinted in Europe, show up during the eighteenth century and it turns out to be progressively normal to discover portrayals of contributors and benefactors. The garments, regularly adorned with enlivening components, is normally painted in red, blue or yellow and the folds are demonstrating with basic equal lines. The form lines are very much characterized and the displaying of the face is executed utilizing a plain coral red bringing about an unnatural impact.

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